Despite that, though, they never resorted to putting in a half-assed effort.
And of course, this frustrated them to no end, having to tone back their aspirations. They didn’t have the resources, funding, or time to do everything they wanted to do.
Their real vision never made it on to the screen, and when you think about it, that just makes sense. The final cut the girls showed off was the result of compromises and clever problem-solving. This series established a full range of complications that goes into bringing still drawings to life. They made them because they wanted to make them Animation was their passion.
The actual best part of Keep Your Hands Off Eizouken was about why Midori, Sayaka, and Tsubame made their films. They gave everything they had.Īnd like I said, these three were only the second-best part. It was clear that each of them wanted to turn in the best product possible, and they all had a role to play in that endeavor. Together they were a complete engine, and their combined efforts were fully alive throughout their creative process. Midori was the visionary, Sayaka was the realist, and Tsubame was the energy source. From performing a one-person show to effortless tag-teaming with one another, they turned whatever was going on into something much more enjoyable. They all could hold the spotlight and steal every scene they were in, which was impressive seeing how they were usually together. These three worked wonderfully together, and yet, each can be described as the standalone star of this series. The trio of the titular Eizouken, Midori Asakusa, Sayaka Kanamori, and Tsubame Mizusaki, was the second-best part of this show. What I will say is that this series is one of the best animated I’ve seen in a good long while.Īfter the visuals, lets quickly focus on the characters, who were utterly fantastic. Therefore, to give this series that kind of credit, at this point, wouldn’t mean a whole lot. Don’t get me wrong it was, but as of this post, I haven’t seen that many. Now, I am not going to claim Keep Your Hands Off Eizouken was the best-animated show I’ve yet seen from 2020. On the higher end of that spectrum, this series was beautiful. On the lower end of what can be said, Keep Your Hands Off Eizouken’s visuals were fluid, swift, and, well, highly animated. To start this review, we have to talk about the most noticeable aspect of this show, its animation.
That is why we should rally around shows such as Keep Your Hands Off Eizouken that not only figure out how to bring all the pieces come together, those pieces come together in a way that is both excellent and fun. That said, shoddy craftsmanship is still shoddy craftsmanship regardless of how much effort goes into it. When together, these three become an unstoppable force of animation brilliance, and their passion is only fueled when they form their school’s newest club, the Eizouken.Ĭontinually searching for ways to improve their craft, Midori, Sayaka, and Tsubame are ready to show the world what they can create. Therefore, Midori has always needed a boost in confidence from her friends Sayaka Kanamori and Tsubame Mizusaki (voiced respectively by Mutsumi Tamura and Misato Matsuoka). If there is one thing Midori wants to do, it’s to be a filmmaker. She is a student of how visual storytellers convey meaning through camera shots, movement, designs, setting, and music. Her admiration for the medium goes well beyond an appreciation of artwork. Reader discretion is advised.*** Series Synopsisįrom as far back as she can remember, Midori Asakusa (voiced by Sairi Itou) has loved animation. ***Warning, the following may contain spoilers for Keep Your Hands Off Eizouken. Based on the Series Created By: Sumito Oowara
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